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Time Out :: Fraser spreads her wings
September 4 2004 by Rebecca Barry - Scans
here
Two years ago Brooke Fraser was so taken with her Auckland hotel room, she
bought a disposable camera and took pictures of it. For the girl from Naenae,
the inside of the Metropolis was the "flashest" thing she'd seen.
"I was such an idiot back then," she says, rolling her eyes. This time it's
a smaller room - "I've been down-graded."
Not that she's indoors much this week, anyway. Fraser has returned to
Auckland from her new home in Sydney for five days, just enough time for a
few pre-tour interviews, a stint on Top of the Pops and the honourable task
of co-judging the Play It Strange high school song-writing competition. It
reminds her of an instrumental piece she wrote while she was in the fifth
form, a wee number she called Lamentations of a Frog. It also reminds her
how fast she's grown up.
"I got my first wrinkles a few months ago," she says, despairingly. "I woke
up in the weekend and I was like, 'Wow, it's all downhill from here'. I was
freaking out. I feel like my mortality's hit me, like I don't have much
time."
Well, a lot has happened. At 18 she moved to Auckland, signed with a major
label and released her debut album What to Do With Daylight, which spawned a
run of hit singles - Better, Lifeline, Saving the World - and sold four
times platinum. She has performed with Bic Runga, David Bowie, John Mayer,
recorded with Opshop and joined the bills at the Parachute Festival and the
Summer Beach Tour with the likes of Scribe and Goldenhorse.
Now, at 20, she's potentially on the brink of a similar breakthrough in
Australia, her home for the past two months. In New Zealand her album has
rebounded to No 1 and she has six nominations in the New Zealand Music
Awards. Yet Fraser says she doesn't plan to return home until she retires.
"I was finding it quite hard. I've always considered myself a people-person
but it's really hard to maintain that faith in the goodness of people when
people stop seeing you as a person. One of my pet hates is rudeness. It just
bugs me and I started to not want to go out and not wanting to go to the
supermarket and that's just stupid."
She looks genuinely worried when asked what she would do should her profile
became as big across the ditch, where she lives 45 minutes out of the city
with three others in their late 20s, including a married couple.
"Sydney city is very fast and busy and, because my life is fast and busy, I
wanted to feel at home."
She relishes the fact she can go shopping in Oz - especially bargain hunting
at the markets - without interruption. Most of the new friends she's made
are "oblivious" to her success back home. Fame, she says, is something she
could do without.
"There's nothing I've encountered that I've gone, 'Oh, I didn't think that
would happen'. I think I've tried to deal with it [the way] I've always
planned to which is to just ignore it as much as possible and use my
influence well. I don't think I milk it. It's never been an attractive thing
to me.
"I think it will get harder as my life progresses. I suppose the things I'm
passionate about will draw me to that kind of place that my life will never
be normal or easy. But that's okay."
As for the recent accolades, she is most proud to be nominated in the
songwriter of the year category because it is the thing she agonises over
the most.
"It's such a mysterious, strange art and it's very subjective to opinion.
All the artists I respect and love are songwriters, so just to be
acknowledged like that is really cool."
Even so, she is going to practise her "gracious defeat face", like they do
at the Grammys.
"I feel like the kind of music that I make, it's not considered cool. I'm
not doing electronica or hip-hop or garage rock. I am making popular music
and I do often feel overlooked.
"I mean, in terms of the public, they've completely embraced this record and
continue to. It continues to just amaze me. Every single we've released has
been a radio No 1. It's crazy. And the latest is a piano song with strings.
Like, what's that about?
"In that respect, it's really wonderful. But I suppose in music, you really
respect the opinion of your peers."
The night she arrived back in Auckland she watched a music awards special on
one of the music channels, in which she says they played a video by every
nominee - except Fraser.
"I know it sounds really stupid but I still find that does get to me a
little bit. Just because the type of music I write doesn't fit your
definition of cool doesn't mean I'm crap."
The only time she's ever disliked playing live was in Taupo on the Summer
Beach Tour.
"It was the first time when I was playing and singing music that I thought,
I can't wait to get through this song. I don't even really know what it was,
it just wasn't happening. I wasn't feeling it. I'd never ever want to have
that feeling again.
"I'm really excited about the tour. I feel like I've finally found a group
of musicians who are all on the same wavelength. In New Zealand there's such
a limited number of people that it's tough to get that right dynamic
happening. I'm just besotted with my band. I feel like I'm making the music
that I've always wanted to make."
Still, it will be difficult to top her first gig in Australia, supporting
John Mayer in Brisbane, in front of 40,000.
"At the beginning of the tour they were just trying to be good big brothers
and they said, 'Just be prepared because you're a support act and no one
knows you, no one's ever heard of you, so don't worry if people just keep
talking through it and you just get a few claps at the end'. We started with
Better and all these people just started pouring in and by the end of the
second song the crowd was just going crazy.
"Between the songs the crowd were completely quiet and at the end we went
off and it was just like, crazy. And the band turned to me and they were
like, 'What was that?' They were completely shocked. That's when I knew that
the music is good enough to stand on its own. Without marketing, without
anyone knowing anything. The songs are enough."
LOWDOWN
WHO: Brooke Fraser BORN: Wellington, 1984
ALBUM: What to Do with Daylight (Sony, 2003)
2004 NZ MUSIC AWARDS NOMINATIONS: Album of the Year, Single of the Year
(Lifeline), Breakthrough Artist, Best Female Solo Artist, Songwriter of the
Year, People's Choice Award. Awards presented on September 22.
TOUR DATES: Holy Trinity Tauranga, Fri Oct 15; Auckland Town Hall, Sat Oct
16; Capitaine Bouganville, Whangarei Sun Oct 17; St Paul's Collegiate,
Hamilton, Mon Oct 18; Rotorua Civic Theatre, Tue Oct 19; Great Lake Centre,
Taupo, Thu Oct 21; Hastings Opera House, Fri Oct 22; Regent, Palmerston
North, Sat Oct 23; Opera House, Wellington, Sun Oct 24; Marlborough Centre,
Blenheim, Tue Oct 26; Theatre Royal, Nelson, Wed Oct 27; Christchurch
Theatre Royal, Thu Oct 28; Theatre Royal, Timaru, Fri Oct 29; Glenroy,
Dunedin, Sat Oct 30; Memorial Hall, Queenstown, Sun Oct 31
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